nse, Michael König, Michael Volle, René Pape - the film opera was a huge public success in European theatres. Filmed on 35mm film on original locations in Germany, the film opera dramatises the enchanted tale with stunning images, and surround-sound revives the music for the eyes and the ears of the audience.

Review

"Neubert has certainly succeeded in breathing real life and excitement into Wagner's supernatural tale through marvelous cinematography and surround sound... The cast features superb singing actors who are absolutely believable in their cinematic performances." --Henson Keys, Opera News, February 2014

36:T559,Opera lovers have always stated that opera encompass various art forms. This film opera just shows that the art of filming can also be part of the art forms that make opera great. Producing a film opera allows for interpretations and expressions that are not possible on the stage opening new creativity capabilities. This film opera is very well done, with a clear interpretation. The music, orchestra and excellent singers are of very high quality, as is the recording sound. One interesting aspect of filming an opera is the sound combination of the music, orchestra and signers, with the noises available on a film like falling stones, wind, steps over fallen leaves, etc. I am sure there are many opinions on what the best mix should be, depending on personal preferences. Every new technology, when applied to art, allows for exploration of new possibilities, and creates new dilemmas. For this film opera, I found the sound combination appropriate and enhancing the overall experience.The magic aspects of Der Freischutz have never been easy to stage. This film allows a much easier portrayal of magic without being overwhelming while keeping the human aspects on the forefront.I strongly recommend this film to every opera lover, and to those who have not watched this opera before. You will be surprised how many arias you will recog